Saturday, July 25, 2020

It's a Holiday in Cambodia



When I was a kid, my brother corrupted me, and got me into the Dead Kennedys.

By the time I got into them, in fact, they had largely ceased to be a band, following the trial about "harmful matter" and censorship that, for all intents and purposes, killed this now legendary punk band, which was probably also the most political band that I had ever heard of.

Jello Biafra, the lead singer, is an intensely political guy. He is bright, and seems to know not only more news stories than anyone else I have ever heard of, but he is able to connect the dots, making some stories that seem, on the surface, to be unrelated, into a whole, linking them and making sense out of the general trend. More often than not, it is dark and menacing in it's implications.

He might not always have gotten it right, but more or less, his diagnoses seemed to be spot on. One thing that he did do, however, was make you think. He was the first one, for example, who said that the Democrats and the Republicans believed in too much of the same things, to the point that they were basically one party, posing as a two party system, and making a big and very public fuss over the issues that they did actually supposedly disagree on. It was a shocking opinion to me at the time, as I identified as a Democrat. But over time, he was proven right.

Another opinion that seemed menacing and more or less shocking at the time was that the powers that be controlling the government were, slowly but surely, setting up a dictatorship. They slowly attacked and eroded civil liberties, taking care to be a lot more subtle about it, in hopes that nobody would notice. Then, after three or four decades of consistently attacking our democracy - voilΓ  - you have a de facto dictatorship. Once again, Jello was proven right, as we are now so close to sliding into a dictatorship, that you would almost have to make a point of not seeing it to not have noticed. Somehow, though, tens of millions of Americans either do not see it, or pretend not to, which amounts to the same thing.

So, I listened to the Dead Kennedys (the DK, as they are often known), and they felt like a well-kept secret. A band that was actually really good, but so radical, that they would never be the most popular thing. Some kids in school surprised me once, claiming that they listened to them, but in retrospect, I very much doubt it. One of them today is a big Trump fan, and so if he was listening to them back then - a very big "if" - he was one of those people for which the lyrics probably meant little to nothing. Frankly, I doubt that he listened to them at all, really.

But I did. And apparently, many more people did than I had expected, judging by how many people still talk about them, and post things about them online. 

Probably their biggest song was "A Holiday in Cambodia." On many levels,  this is fitting.  It is specific to that time period,  when Cambodia was going through the nightmare of Pol Pot and the Khmer Rouge.  The lyrics of the song are addressed to a random spoiled young man,  with a few years of college under his belt,  and a false sense of entitlement,  sure that he has the world largely figured out.  The lyrics fluctuate between a cynical description of the typical spoiled life of many young American men and boys back then,  to much more horrific descriptions of life in Cambodia back then. 

Vintage DK.  Vintage Jello Biafra.

There is a video of it on Youtube, with just the logo of the DK, no more interesting images than that. Yet, it generated millions of views! Apparently, they were better known and appreciated than maybe I originally thought.

So, it seemed appropriate to share some videos of that particular song, as covered by several different bands.

Enjoy!





Here is the standard version, which received some 20 millions views!




Now, here is a version of the song done by the original band that it first came out of to begin with. Yes, the Dead Kennedys performing the song, from back in 1984:



The Dead Kennedys cover this song live in France:



Jello still covers the song these days with his new band, the Guantanamo School of Medicine. Here is that version:


This is another version of the song, from about 2007. It is the Foo Fighters, with Serj Tankian singing. I remember one radio personality mentioning, after the breakup of Rage Against the Machine, that Tankian's band, System of a Down, had become the new politically active band for the rock/metal/alternative world. That seemed to ring true to some degree, at least among the popular bands, in any case, to some degree, although there were other bands who were not quite as overtly political, but who regularly addressed political issues (like Pearl Jam). As for the Foo Fighters, I have heard him talk admiringly of Jello Biafra in the past, and so it would make sense that he would cover what is likely their biggest song. In any case, though, the Dead Kennedys were nothing if not a very political band, well before Rage Against the Machine came into existence, let alone System, and that is why their music is often still remembered, and in this case honored, to this day. Here is that version:






Here is an interesting version of the song, when it was covered by Primus back in 2017. As some may recall, I really enjoyed the Claypool Lennon Delirium albums in recent years, and had seen Primus, specifically, back in the late nineties, at one of the Ozzfest shows. So, when I ran into this video of them covering it, I was intrigued. In fact, it is a pretty good version of it:



3 comments:

  1. Yes, guilty as charged. Sometimes I regret that I didn't get into that band a couple of years earlier than I did, but then it probably wouldn't have changed much for us seeing as A) I don't think they performed all that many gigs in or around NYC, and B) This was obviously before we could drive, and therefore before we were independently mobile. 

    As for lapsing into dictatorship, much of what was glibly dismissed as alarmist tripe back in the day has proven soberingly prophetic. The descent has been gradual but steady. It's as if one president after another has tested the waters, or chosen to look the other way while someone else did the dirty work: keeping files on political activists (most of whom were nonviolent – John Lennon was a famous example), harassing protestors and infiltrating their demonstrations, incarcerating people deemed a threat to the established order under dubious pretexts (Leonard Peltier, anyone?), suspending habeas corpus, "sanitized" depictions of war (i.e. the news mustn't show caskets of fallen American soldiers, much less civilian casualties or civilians who've been maimed for life), the militarization of the police – the list goes on and on. Trump has been far more brazen about it than his predecessors, but the seeds were planted long before Cheeto in Chief's rise to power.

    I'm not surprised that some of the DK's fans are ultraconservative by the way. When music is fast, loud, aggressive and perceived to be dangerous, it's going to attract that element. I remember Kurt Cobain lamenting that Nirvana's shows were attracting dumb jocks – people who would have been his tormentors back in school. And disconnects between performers and their audiences are obviously nothing new. I don't need to remind you about the mostly hostile response Pearl Jam received at Nassau Coliseum when they performed their send-up of Dubya. And you've probably seen the footage of CSNY performing "Let's Impeach the President" in Atlanta during that same era. I'm neither joking nor exaggerating when I say that their safety (and possibly even their lives) would have been in grave danger had it not been for the bouncers at the front of the stage.

    Although Iggy Pop is largely apolitical, I remember a great quote from him, which I'll do my best to share accurately since I can't seem to track it down on Google. Speaking about the Stooges' legendary "Raw Power" album – and again, I'm paraphrasing here – he said that it "puts forth the proposition – the dangerous proposition – that if you want to make powerful art, you'll need to cast aside concerns about what's perceived to be 'respectable' or 'safe', about mainstream society and its attendant trappings and niceties. No – make a fucking mess! That's what you'll need to do." 

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  2. Yes, I agree that being fans of the DK a few years earlier would not likely have altered much, if anything. Hell, even if they had played locally, and even if we had been able to get to the venue, we might have been considered too young and denied entry. As for the slow and patient approach to dictatorship, there were some warnings. Jello was especially insistent. Turns out that he was right about a lot of it. He called it.

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  3. That he did. And George Carlin, who spent the last 40 or so years of his life exposing many of the same things, and commenting on the extraordinary lengths people go in order to live in a perpetual state of denial, summed it up nicely in his parting shot towards the end of his life. Google "George Carlin – You Have Owners", then watch the YouTube video that comes up at the top of the results. It only lasts about three minutes, and it's well worth it.

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